Skip to main content

S H Raza

No automatic alt text available.The Master of “Bindu”, the Point is no more (23 July 2016). S H Raza left a lot, in terms of legacy, thought, technique and conception.
"You have to concentrate on one idea. I usually offer one advice to young men, concentrate on one woman. One woman gives everything. One idea is sufficient for an artist. For me, the 'bindu' has been a vast subject with its variations throughout my life."
No automatic alt text available.
The price hype of his paintings does not touch his persona — a soft-spoken creative being who defies the vagaries of age and flesh. Bound to a wheelchair after a fall, Raza was busy pushing new frontiers till two and half months back.
"I want to explore 'Roopadhyatma (abstract beauty)' in my art. It is another spiritual form of abstraction which is beyond the conventional icons of triangles and the 'bindu'. The concept emerges from the dot... And I have to find my own way to reach it," Raza said.
The artist, who returned to India after spending nearly six decades in France, works "for two to three hours in his studio in the capital every day".
No automatic alt text available.
"I don't paint a lot, though I'm very keen to work. At times, I work for an hour in the morning and sometimes for three in the afternoon. I have assistants who help me move the canvases around," the artist said.
Few months back after finishing one of his paintings, he was happy like a kid, told his near-ones “ Yes I have finished another”.
Image may contain: indoor
Nearly 4 years back I was lucky enough to interact him in Lalit Kala, New Delhi, one of his line always vibrates in my mind “ Bindu (Point) and Shunyo (Empty) are most important Prabuddha in our life and art, though they are highly neglected”.
Salute Sir, Salute. You are living in your works for us, for the art lovers and for the world of aesthetics and sensation.
Image may contain: indoor
The artist, inspired by Rabindranath Tagore was honored with the Padma Shri in 1981, Padma Bhushan in 2007 and Padma Vibhushan in 2013.
S. H. Raza 22 February 1922 to 23 July 2016.

23 July 2016

Comments

Popular posts from this blog

A New Vista in My Creative Journey: Entering Digital Art by Prabuddha Ghosh

A New Vista in My Creative Journey: Entering Digital Art in 2025 by Prabuddha Ghosh A fter more than thirty-five years of dedicated engagement with photography and nearly two decades of sustained practice in digital photography, I have now entered a new and significant phase of my creative journey: the field of Digital Art. This transition has emerged organically through reflection, experimentation and encouragement from individuals whose guidance and faith have been deeply meaningful to me. In particular, I wish to acknowledge the constant motivation and mentorship of my friend and senior artist, Shri Atul Padiaji of Vadodara, Gujarat, whose encouragement gave me the confidence to explore this medium with greater seriousness and depth. Equally important has been the role of my younger brother, Shri Jayanta Khan of Kolkata, who, through his persistent inspiration over more than a year, urged me to take this decisive step and begin a new chapter in my artistic life. I also believe t...

Sunflower: The Luminous Axis of Art, Spirit and Contemporary Consciousness By Prabuddha Ghosh

Sunflower: The Luminous Axis of Art, Spirit and Contemporary Consciousness By Prabuddha Ghosh The sunflower remains one of the most evocative subjects in visual culture—bridging art, spirituality and lived experience. More than a botanical form, it operates as a symbol of light, temporality and inner alignment, continually reinterpreted across cultures and artistic movements. Native to the Americas, sunflowers were cultivated by indigenous communities for food, medicine and pigments used in craft and visual expression. Introduced to Europe in the 16th century, they gradually evolved from utilitarian crops into ornamental and symbolic forms. Their heliotropic nature—turning toward the sun—established them as universal emblems of devotion, vitality and spiritual seeking. In India, the sunflower resonates with the energy of Surya, embodying abundance and the eternal rhythm of life, death and rebirth. Across cultures, it has symbolized courage, longevity, gratitude and optimism. Even i...

The Unwritten Verse: Tagore’s Soul in Color and Form by Prabuddha Ghosh (Commemorating the 164th birth anniversary of Rabindranath Tagore)

The Unwritten Verse: Tagore’s Soul in Color and Form (Commemorating the 164th birth anniversary of Rabindranath Tagore) by Prabuddha Ghosh Rabindranath Tagore , fondly and universally known as Gurudev , is widely celebrated as a Nobel laureate in literature. However, what remains lesser known is his profound and unexpected entry into the world of visual art during the later years of his life. While primarily recognized for his poetry, prose, songs, drama, novels, and philosophical thought, Tagore’s foray into painting revealed yet another dimension of his boundless creativity. Although he began this artistic journey relatively late, his artwork resonates with an intensity and vividness that are both enigmatic and deeply human. His artistic expressions are far from mere historical artifacts—they are living, breathing creations that continue to captivate the contemporary imagination. Here's a closer look at why Tagore’s art remains remarkably relevant today: Tagore’s paintings ...