Skip to main content


Paintings of Rabindranath Tagore: Simplest in form, deepest in spirituality with cosmic feeling

By Prabuddha Ghosh

Many of us know Rabindranath Tagore as a Nobel Laureate, author, playwright, writer, philosopher, and musician; however, very few people know him as an artist, an intense painter with a keen interest in the human form and nature – and truly a national and international figure in Pre-modern and Indian Modernism art.



His works are freely executed with brush, cloth, cotton and even his fingers. Tagore saw art as a bridge connecting the person to the world through the strands of human nature and emotion. Tagore didn't begin painting right away. Doodling was his first foray into the world of drawing. He would usually write something and then cut across the lines. He'd then use his intuitive imagination to fill in the overwriting and other corrections into something that resembled a shape and form.

It may come from the idea of reality in realistic pattern or in abstraction. He let his emotions and imagination take the reins while indulging in art.


In Tagore's work, the human face is a recurring theme. He linked human appearance with emotions and essence as a master novelist, and this transcended into his art as well. Tagore's faces convey a wide range of emotions, including melancholy, mystery, threatening, melodramatic, and romantic.

Tagore didn't offer his paintings titles, but by doing so, he liberated them from the constraints of literary imagination. He wanted his audience to see the paintings in their own way and appreciate them in their own way. His work as a playwright and in the theater affected this portion of his paintings greatly. But, as a genius, he never believed in following the crowd, preferring to find his own way, eventually establishing himself as a trend setter in modern Indian art.


#prabuddha #prabuddhaghosh #prabuddhasart #aimartinme #RabindranathTagore 

Comments

Popular posts from this blog

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh In the long and unsettled narrative of modern India, few visual chroniclers have worked with the moral clarity, emotional depth, and sustained intensity of Raghu Rai. To speak of him merely as a photographer is to understate the scope of his engagement. He is, more precisely, a witness to India’s becoming—its fractures, its continuities, its silences, and its eruptions. Across decades, his lens has moved with a rare steadiness through the country’s most defining moments, refusing spectacle while never relinquishing the power of the image. Born on 18 December 1942 in Jhang, in undivided Punjab—now in Pakistan—Rai belonged to a generation marked indelibly by the trauma of Partition. Geography, for him, was never inert. It was memory, rupture, and inheritance. Punjab was not simply a birthplace; it was a divided consciousness. That inheritance would quietly shape his sensibility. There is, in his work, an unm...

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh ( The recent sale of Yashoda and Krishna by Raja Ravi Varma marks a defining moment in the trajectory of Indian art. Achieving an unprecedented ₹167.2 crore at Saffronart ’s Spring Live Auction in Mumbai, the painting has become the highest-valued work of Indian art ever sold. Acquired by Cyrus S. Poonawalla , it surpasses the earlier record set by M. F. Husain ’s Gram Yatra , indicating not only a shift in market dynamics but also a renewed cultural recognition. This article approaches the event as more than an auction milestone. It connects the sale to broader questions shaping the present and future of Indian art, including the evolution of collecting practices, the continued relevance of Varma’s legacy, the distinctive qualities of his paintings, the ongoing surge in the Indian art market, and the factors contributing to such extraordinary valuation. Drawing on current ...

A New Vista in My Creative Journey: Entering Digital Art by Prabuddha Ghosh

A New Vista in My Creative Journey: Entering Digital Art in 2025 by Prabuddha Ghosh A fter more than thirty-five years of dedicated engagement with photography and nearly two decades of sustained practice in digital photography, I have now entered a new and significant phase of my creative journey: the field of Digital Art. This transition has emerged organically through reflection, experimentation and encouragement from individuals whose guidance and faith have been deeply meaningful to me. In particular, I wish to acknowledge the constant motivation and mentorship of my friend and senior artist, Shri Atul Padiaji of Vadodara, Gujarat, whose encouragement gave me the confidence to explore this medium with greater seriousness and depth. Equally important has been the role of my younger brother, Shri Jayanta Khan of Kolkata, who, through his persistent inspiration over more than a year, urged me to take this decisive step and begin a new chapter in my artistic life. I also believe t...