Death... A New beginning....

All animals are always saddened by the death of their loved ones. This is a natural trait. This emotion is deeply ingrained in hearts and embossed in mind. Therefore they mourn the loss of loved ones at the funeral. People also believes that death is not the end of life and the others have another idea.

Everything must have its own end, or there will be no Beginning. But it’s periodical actually. Death is not the opposite of Life, but the counterpart to Birth, destiny of life. Death is beautiful (not always) because it represents change. 

"I long for Death as I Return to its semblance each Night in my Dark Sleep". 

Death is Peace. Death is Joy. Death is Purity. Death is True Freedom.

Reincarnation possible….
Probability of newer things… 

OSHO: Never Born – Never Died Only visited this Planet Earth between December 11, 1931 and January 19, 1990

I don’t have any biography. And whatsoever is thought to be biography is utterly meaningless. On what date I was born, in what country I was born, does not matter. What matters is what I am now, right here... OSHO

#Osho #reincarnation #aimartinme #prabuddha #prabuddhasart #zeva #zenvartan #bodhi

Comments

Rewriting Tomorrow: Art beyond borders at the 5th Solo International Art Camp (Surakarta, Indonesia) Based on information shared by the SP News & DP Representatives.

Rewriting Tomorrow: Art beyond borders at the 5th Solo International Art Camp (Surakarta, Indonesia) Based on information shared by the Standard Post News Team and Dastak Prabhat Representatives. The 5th Solo International Art Camp (SIAC), held from 16–23 July 2026 in Surakarta, Indonesia, successfully brought together over seventy artists, curators and cultural practitioners from over twenty-eight countries under the theme Rewriting Tomorrow . Through exhibitions, live painting camp sessions, workshops, artist talks and community engagement, the event fostered meaningful intercultural dialogue and creative collaboration. India was represented by three artists, whose participation further strengthened artistic exchange and cultural ties between India and Indonesia, reaffirming SIAC's role as a significant platform for international creative diplomacy. The program was formally inaugurated by the Mayor of Surakarta (Solo), Mr. Respati Ardi, who marked the opening by striking the tr...

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh In the long and unsettled narrative of modern India, few visual chroniclers have worked with the moral clarity, emotional depth, and sustained intensity of Raghu Rai. To speak of him merely as a photographer is to understate the scope of his engagement. He is, more precisely, a witness to India’s becoming—its fractures, its continuities, its silences, and its eruptions. Across decades, his lens has moved with a rare steadiness through the country’s most defining moments, refusing spectacle while never relinquishing the power of the image. Born on 18 December 1942 in Jhang, in undivided Punjab—now in Pakistan—Rai belonged to a generation marked indelibly by the trauma of Partition. Geography, for him, was never inert. It was memory, rupture, and inheritance. Punjab was not simply a birthplace; it was a divided consciousness. That inheritance would quietly shape his sensibility. There is, in his work, an unm...

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh ( The recent sale of Yashoda and Krishna by Raja Ravi Varma marks a defining moment in the trajectory of Indian art. Achieving an unprecedented ₹167.2 crore at Saffronart ’s Spring Live Auction in Mumbai, the painting has become the highest-valued work of Indian art ever sold. Acquired by Cyrus S. Poonawalla , it surpasses the earlier record set by M. F. Husain ’s Gram Yatra , indicating not only a shift in market dynamics but also a renewed cultural recognition. This article approaches the event as more than an auction milestone. It connects the sale to broader questions shaping the present and future of Indian art, including the evolution of collecting practices, the continued relevance of Varma’s legacy, the distinctive qualities of his paintings, the ongoing surge in the Indian art market, and the factors contributing to such extraordinary valuation. Drawing on current ...

…. Curator’s Pen by Prabuddha Ghosh

Search This Blog