Skip to main content
…. Curator’s Pen
This is really great to curate the First Exhibition of Art Insight Medium (AIM). As the Secretary of this non-profit organization, I have received this privileged opportunity to curate the show as requested by the trustees and organizing committee.
I am grateful to all of them.
It’s a group show, so there is very controlled scope to curate, but obviously it gives me immense pleasure that most of the participant Artists showed sufficient eagerness to follow little stringent but neo-open-ended guidelines. Here, few Artists have already developed and established their styles but others are going to ascertain their own, so it is “Gradually Individual”.
The new emphasis on medium and surface has taken a series of metamorphosis during the different transition period of Artists’ Life. The Artists in “Gradually Individual” share an interest in archaic traditions as well as contemporary feeling and overall ‘A fascination for personal cosmologies and visionary languages’. It is a peculiar form of magic realism that emerges from the works on view, coupled with a renewed belief in art as a tool for expressing the thoughts as well as contemplation process.
Individualism takes human and humanism a few steps further and is the belief that individual humans are capable of great accomplishments.  The more communal, group oriented society and mentality of the Ages was being replaced by a belief in the potential of the individual to make great achievements in the segment of creativity, Art is a Simple form of this. The importance of this concept was that it can free individuals and geniuses, to live up to their potential without being held back by a society that always questions about the reformation or breaking traditional styles and beliefs.
bon voyage

Prabuddha Ghosh

Comments

Popular posts from this blog

Rewriting Tomorrow: Art beyond borders at the 5th Solo International Art Camp (Surakarta, Indonesia) Based on information shared by the SP News & DP Representatives.

Rewriting Tomorrow: Art beyond borders at the 5th Solo International Art Camp (Surakarta, Indonesia) Based on information shared by the Standard Post News Team and Dastak Prabhat Representatives. The 5th Solo International Art Camp (SIAC), held from 16–23 July 2026 in Surakarta, Indonesia, successfully brought together over seventy artists, curators and cultural practitioners from over twenty-eight countries under the theme Rewriting Tomorrow . Through exhibitions, live painting camp sessions, workshops, artist talks and community engagement, the event fostered meaningful intercultural dialogue and creative collaboration. India was represented by three artists, whose participation further strengthened artistic exchange and cultural ties between India and Indonesia, reaffirming SIAC's role as a significant platform for international creative diplomacy. The program was formally inaugurated by the Mayor of Surakarta (Solo), Mr. Respati Ardi, who marked the opening by striking the tr...

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh In the long and unsettled narrative of modern India, few visual chroniclers have worked with the moral clarity, emotional depth, and sustained intensity of Raghu Rai. To speak of him merely as a photographer is to understate the scope of his engagement. He is, more precisely, a witness to India’s becoming—its fractures, its continuities, its silences, and its eruptions. Across decades, his lens has moved with a rare steadiness through the country’s most defining moments, refusing spectacle while never relinquishing the power of the image. Born on 18 December 1942 in Jhang, in undivided Punjab—now in Pakistan—Rai belonged to a generation marked indelibly by the trauma of Partition. Geography, for him, was never inert. It was memory, rupture, and inheritance. Punjab was not simply a birthplace; it was a divided consciousness. That inheritance would quietly shape his sensibility. There is, in his work, an unm...

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh ( The recent sale of Yashoda and Krishna by Raja Ravi Varma marks a defining moment in the trajectory of Indian art. Achieving an unprecedented ₹167.2 crore at Saffronart ’s Spring Live Auction in Mumbai, the painting has become the highest-valued work of Indian art ever sold. Acquired by Cyrus S. Poonawalla , it surpasses the earlier record set by M. F. Husain ’s Gram Yatra , indicating not only a shift in market dynamics but also a renewed cultural recognition. This article approaches the event as more than an auction milestone. It connects the sale to broader questions shaping the present and future of Indian art, including the evolution of collecting practices, the continued relevance of Varma’s legacy, the distinctive qualities of his paintings, the ongoing surge in the Indian art market, and the factors contributing to such extraordinary valuation. Drawing on current ...