Skip to main content

Psychedelic art...


Psychedelic art is intricate detailed with many colors, often crazy, or mysterious. It draws from different influences tribal, or kinetic with optical illusions, and embraces a wider spectrum of surrealism. But at the heart of it is the expression of the spirit. Sometimes they are very simple with representation of intrinsic behavior of mind.
Every creative person who has ever taken a psychedelic substance yearns to express the experience. Among other things, psychedelics have a most extraordinary effect on the imagination and the optical cortex of the brain. Visual art that is reminiscent of the kinds of hallucinatory visions-- intricate, brightly colored, unusual, complex, imbued with meaning, and often geometrically organized-- that one sees with closed eyes during this hyper-dimensional brain state has been dubbed "psychedelic art".
The psychedelic art is any art triggered by the manifestation of the inner world. Thus, it may come in various forms, such as tribal art, raw art, kinetic art with optic illusions and / or surrealism. The climax of the psychedelic art was in the ‘60s, arguing for an open mind and consciousness for global solutions in the society. Its boundaries and origins are hard to identify since it is present in a large spectrum of areas, namely in literature, cinema, comics, music, fashion, advertising etc. 

Comments

Post a Comment

Popular posts from this blog

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh In the long and unsettled narrative of modern India, few visual chroniclers have worked with the moral clarity, emotional depth, and sustained intensity of Raghu Rai. To speak of him merely as a photographer is to understate the scope of his engagement. He is, more precisely, a witness to India’s becoming—its fractures, its continuities, its silences, and its eruptions. Across decades, his lens has moved with a rare steadiness through the country’s most defining moments, refusing spectacle while never relinquishing the power of the image. Born on 18 December 1942 in Jhang, in undivided Punjab—now in Pakistan—Rai belonged to a generation marked indelibly by the trauma of Partition. Geography, for him, was never inert. It was memory, rupture, and inheritance. Punjab was not simply a birthplace; it was a divided consciousness. That inheritance would quietly shape his sensibility. There is, in his work, an unm...
Post a Comment
Read more

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh ( The recent sale of Yashoda and Krishna by Raja Ravi Varma marks a defining moment in the trajectory of Indian art. Achieving an unprecedented ₹167.2 crore at Saffronart ’s Spring Live Auction in Mumbai, the painting has become the highest-valued work of Indian art ever sold. Acquired by Cyrus S. Poonawalla , it surpasses the earlier record set by M. F. Husain ’s Gram Yatra , indicating not only a shift in market dynamics but also a renewed cultural recognition. This article approaches the event as more than an auction milestone. It connects the sale to broader questions shaping the present and future of Indian art, including the evolution of collecting practices, the continued relevance of Varma’s legacy, the distinctive qualities of his paintings, the ongoing surge in the Indian art market, and the factors contributing to such extraordinary valuation. Drawing on current ...
Post a Comment
Read more

A New Vista in My Creative Journey: Entering Digital Art by Prabuddha Ghosh

A New Vista in My Creative Journey: Entering Digital Art in 2025 by Prabuddha Ghosh A fter more than thirty-five years of dedicated engagement with photography and nearly two decades of sustained practice in digital photography, I have now entered a new and significant phase of my creative journey: the field of Digital Art. This transition has emerged organically through reflection, experimentation and encouragement from individuals whose guidance and faith have been deeply meaningful to me. In particular, I wish to acknowledge the constant motivation and mentorship of my friend and senior artist, Shri Atul Padiaji of Vadodara, Gujarat, whose encouragement gave me the confidence to explore this medium with greater seriousness and depth. Equally important has been the role of my younger brother, Shri Jayanta Khan of Kolkata, who, through his persistent inspiration over more than a year, urged me to take this decisive step and begin a new chapter in my artistic life. I also believe t...
Post a Comment
Read more