Hiroshima & Nagasaki: A History with artists' feeling

Seventy five years ago this week, the world experienced a disaster that was to change the nature of war everlastingly: The atom bomb was dropped on Hiroshima, and worse — while the Japanese argued among themselves about whether and how to surrender — a second bomb was dropped on Nagasaki three days later on August 9th. That horror, encapsulated by those few words, continues to resonate worldwide.....

"The trouble with having weapons of mass destruction is that if you have got them, it will be tempting, under certain circumstances, to use them."

“The reaction to the cataclysmic events of 6 August 1945 was also the beginning of a global push to ensure that nuclear weapons are never used again”, Izumi Nakamitsu, High Representative for Disarmament Affairs, said on behalf of the UN Secretary-General, speaking at the Hiroshima Annual Peace Ceremony (6 August 2019).

It's 75 years...

It’s difficult to quantify the breadth of the effects of Hiroshima and Nagasaki; but since those pivotal August days in 1945 when World War II suddenly became a nuclear war, many filmmakers have attempted to capture the uncertainty that nuclear weapons have unleashed.

As long as they exist, nuclear weapons will inevitably lead to disaster. Please lend us your strength to eliminate nuclear weapons from the face of the earth and make sure that Nagasaki is the last place on the Earth to suffer an atomic bomb. Let us all work together, all of us, to build a peaceful world, a world free of war. The atomic bomb is not an ordinary weapon, so it should not be used in any war. As you know, even war has limits.

The accelerating spread of nuclear weapons, nuclear know-how and nuclear material has brought us to a nuclear tipping point. We face a very real possibility that the deadliest weapons ever invented could fall into dangerous hands.

The steps we are taking now to address these threats are not adequate to the danger. With nuclear weapons more widely available, deterrence is decreasingly effective and increasingly hazardous.

Looking for a nuclear ammunition free world. We can source these resources for the development for mankind and nature ...

The crew of the B-29 bomber Enola Gay navigator Major Theodore Van Kirk (L), pilot Colonel Paul Tibbets and bombardier Major Thomas Ferebee after dropping the first atomic bomb on Hiroshima on August 6, 1945.(AFP: US Air Force)

Paintings and artifact images: Collected from different sources.

#PrabuddhaGhosh #prabuddha #HiroshimaNagasakiBombing #75yearsofHiroshimaBombing

Comments

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh

Raghu Rai: The Unflinching Eye That Framed India’s Conscience by Prabuddha Ghosh In the long and unsettled narrative of modern India, few visual chroniclers have worked with the moral clarity, emotional depth, and sustained intensity of Raghu Rai. To speak of him merely as a photographer is to understate the scope of his engagement. He is, more precisely, a witness to India’s becoming—its fractures, its continuities, its silences, and its eruptions. Across decades, his lens has moved with a rare steadiness through the country’s most defining moments, refusing spectacle while never relinquishing the power of the image. Born on 18 December 1942 in Jhang, in undivided Punjab—now in Pakistan—Rai belonged to a generation marked indelibly by the trauma of Partition. Geography, for him, was never inert. It was memory, rupture, and inheritance. Punjab was not simply a birthplace; it was a divided consciousness. That inheritance would quietly shape his sensibility. There is, in his work, an unm...

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh

A Timeless Gaze, A Global Ascent: When Raja Ravi Varma Redefined the Place of Indian Art by Prabuddha Ghosh ( The recent sale of Yashoda and Krishna by Raja Ravi Varma marks a defining moment in the trajectory of Indian art. Achieving an unprecedented ₹167.2 crore at Saffronart ’s Spring Live Auction in Mumbai, the painting has become the highest-valued work of Indian art ever sold. Acquired by Cyrus S. Poonawalla , it surpasses the earlier record set by M. F. Husain ’s Gram Yatra , indicating not only a shift in market dynamics but also a renewed cultural recognition. This article approaches the event as more than an auction milestone. It connects the sale to broader questions shaping the present and future of Indian art, including the evolution of collecting practices, the continued relevance of Varma’s legacy, the distinctive qualities of his paintings, the ongoing surge in the Indian art market, and the factors contributing to such extraordinary valuation. Drawing on current ...

A New Vista in My Creative Journey: Entering Digital Art by Prabuddha Ghosh

A New Vista in My Creative Journey: Entering Digital Art in 2025 by Prabuddha Ghosh A fter more than thirty-five years of dedicated engagement with photography and nearly two decades of sustained practice in digital photography, I have now entered a new and significant phase of my creative journey: the field of Digital Art. This transition has emerged organically through reflection, experimentation and encouragement from individuals whose guidance and faith have been deeply meaningful to me. In particular, I wish to acknowledge the constant motivation and mentorship of my friend and senior artist, Shri Atul Padiaji of Vadodara, Gujarat, whose encouragement gave me the confidence to explore this medium with greater seriousness and depth. Equally important has been the role of my younger brother, Shri Jayanta Khan of Kolkata, who, through his persistent inspiration over more than a year, urged me to take this decisive step and begin a new chapter in my artistic life. I also believe t...

…. Curator’s Pen by Prabuddha Ghosh

Search This Blog